Exhibition
Exhibition
Salvador Dalí was an artist with boundless curiosity who was constantly in search of the latest technical developments in order to apply these to his creations. From the mid-1960s and throughout the 1970s, his interest focused above all on virtual images and depth. This moment coincided with the preparation and subsequent inauguration of the Theatre-Museum and the painter indeed dedicated some of the museum's spaces to optical illusions: anamorphosis, stereoscopy and holography. At the end of the route around the museum, the Optical Illusions Room, number 19, recreates the result of the painter's studies in this field. Adobe lightroom classic v9 0 – 9 2 1.
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This temporary exhibition, in the room 22 of the Dalí Theatre-Museum, highlights the artist's later work related to optical illusions. Tidy up 5 3 4 drawer. Six pairs of stereoscopic works will be on display accompanied by equipment to observe the three-dimensional effects: Dalí from behind painting Gala from behind immortalized by six virtual corneas momentarily reflected in six real mirrors, c. 1972-73; Gala's foot, c. 1975-76; Untitled. According to ‘Las Meninas' by Velázquez, c. 1975-76; The structure of DNA, c. 1975-76; Dalí's hand drawing back the Golden Fleece in the form of a cloud to show Gala, completely nude, the dawn, very, very far away behind the sun, 1977-78; Dalí lifting the skin of the Mediterranean Sea to show Gala the birth of Venus, 1978.
